{"id":112,"date":"2017-05-01T10:22:04","date_gmt":"2017-05-01T08:22:04","guid":{"rendered":"http:\/\/clicmusikr.cluster017.ovh.net\/?page_id=112"},"modified":"2020-05-04T23:28:16","modified_gmt":"2020-05-04T21:28:16","slug":"if-windows-they-have","status":"publish","type":"page","link":"https:\/\/www.danielschell.net\/index.php\/chambre-ensemble\/if-windows-they-have\/","title":{"rendered":"If Windows They Have"},"content":{"rendered":"

R\u00e9mi face au lacis dor\u00e9<\/strong><\/h2>\n

An “Optimal composition”, from the Karo collection, involving auto-coding, symmetric metrics & partitioning harmonies.
It is famous for Tap-guitar solo but has also been played by Ensemble Karo in the album ‘If Windows they Have’ and then by many ensembles.<\/p>\n

The composition uses a particular karo of the form 2,3(0) 3,2(4) 2,3(6) 3,2(10). The two forms of this karo are used: one in sections A, B and D, the other one in section C.<\/p>\n

However the harmonic structure is always 2,3 3,2 2,3 3,2 and so goes the rhythmic structure as a result of the optimal treatment of the formula. One code only: 2,3 3,2 2,3 3,2 drives both the harmony and the rhythmic description. The composition is therefore auto-coded in the sense that it contains it’s own description.<\/p>\n

Score of “R\u00e9mi Face au Lacis Dor\u00e9” Daniel Schell C0112<\/p>\n

Remi_C112<\/a><\/p>\n\n\n

The score shown here demonstrates only a simple rule for what can be done with it. Section A emphasizes long chords of seconds over the bass pattern; it can be repeated as a cycle and progressively expanded to section B. In Section B the triads are expanded as repetitive patterns , still phased over the bass pattern. This will conclude to the theme, of the form C C D , where the last four bars of D are C again<\/p>\n\n\n\n

<\/p>\n\n\n\n

An example of ‘R\u00e9mi’ played by Ensemble Karo on their album ‘If Windows they Have’ ed. Crammed Discs<\/p>\n\n\n\n

R\u00e9mi Face au Lacis Dor\u00e9<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9mi face au lacis dor\u00e9 An “Optimal composition”, from the Karo collection, involving auto-coding, symmetric metrics & partitioning harmonies.It is famous for Tap-guitar solo but has also been played by Ensemble Karo in the album ‘If Windows they Have’ and then by many ensembles. The composition uses a particular karo …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":108,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-112","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/112"}],"collection":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/comments?post=112"}],"version-history":[{"count":7,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/112\/revisions"}],"predecessor-version":[{"id":524,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/112\/revisions\/524"}],"up":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/108"}],"wp:attachment":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/media?parent=112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}