{"id":36,"date":"2017-04-30T18:33:09","date_gmt":"2017-04-30T16:33:09","guid":{"rendered":"http:\/\/clicmusikr.cluster017.ovh.net\/?page_id=36"},"modified":"2018-01-21T19:05:46","modified_gmt":"2018-01-21T18:05:46","slug":"hygiene-de-lassassin","status":"publish","type":"page","link":"https:\/\/www.danielschell.net\/index.php\/opera-music-theater\/amelie-nothomb\/hygiene-de-lassassin\/","title":{"rendered":"Hygi\u00e8ne de l’Assassin (English)"},"content":{"rendered":"

\u00a0\"\"<\/p>\n

Gilles Wiernik (Tach) and Nina in the ORW production
\n(photo \u00a9 Opera Royal de Wallonie ORW Jacky Croisier)<\/p>\n

Opera<\/span><\/p>\n

 <\/p>\n

Music from Daniel Schell (\u00a9 Sabam 1995)
\nLibretto from Daniel Schell (\u00a9 Sabam 1995) in collaboration with and based on the novel by Am\u00e9lie NOTHOMB \u201e Hygi\u00e8ne de l\u2019Assassin” published by Albin Michel; Paris (\u00a9 1992)<\/p>\n

 <\/p>\n

Characters<\/h2>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Pr\u00e9textat Tach, 83<\/td>\nNobel prize<\/td>\nBass-Baryton<\/td>\n<\/tr>\n
Nina, 30<\/td>\n5thjournalist<\/td>\nSoprano<\/td>\n<\/tr>\n
Furet<\/td>\n1st journalist<\/td>\nCounter-t\u00e9nor<\/td>\n<\/tr>\n
Coq<\/td>\n2d journalist<\/td>\nTenor<\/td>\n<\/tr>\n
Singe<\/td>\n3d journalist<\/td>\nactor<\/td>\n<\/tr>\n
Sanglier<\/td>\n4th journalist<\/td>\nBaryton<\/td>\n<\/tr>\n
Souris<\/td>\na journalist<\/td>\nMezzo-Soprano<\/td>\n<\/tr>\n
M\u00e9sange<\/td>\na journalist<\/td>\nSoprano<\/td>\n<\/tr>\n
The nurse<\/td>\nactor<\/td>\n<\/td>\n<\/tr>\n
Grand Choir<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Opera Royal de Wallonie, Premi\u00e8re February 11 2000.<\/h3>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

New production from the ORW<\/strong>, (General Director: Jean-Louis Grinda) .<\/p>\n

Musical Direction : Jean-Pierre Haeck. Stage direction: Frederic Roels.
\nCostumes and set: Val\u00e9rie Urbain.
\nFeaturing Gilles Wiernik (Tach), Nina, Marcel Arpots (Journaliste Furet), Christine Solhosse (Journaliste Coq), Patrick Pircak ( Journaliste Sanglier), Chamber orchestra from ORW.<\/p>\n

The premi\u00e8re hapened on February 11, 2000 in Li\u00e8ge.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

\"\" \"\" \"\"<\/p>\n

 <\/p>\n

(photo \u00a9 Opera Royal de Wallonie ORW Jacky Croisier)<\/p>\n

A video<\/strong> excerpt of the aria ‘Trente Ans’\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0https:\/\/youtu.be\/T0Bs3b9uR80<\/a><\/h3>\n

The libretto in video : video<\/a><\/h3>\n

<\/h2>\n

The first Cr\u00e9ation :<\/h2>\n

“Hygi\u00e8ne de l’Assassin”, a command of L’L, Mich\u00e8le Braconnier, from the Communaut\u00e9 Fran\u00e7aise de Belgique and the Aeronef of Lille, Jean-Pascal Reux, was created in Anderlecht, Brussels, Ecole des V\u00e9t\u00e9rinaires, on November 15 95 and in Lille, Aeronef on December 1st. Musical conductor: Marc Michael De Smet. Stage director: Jacky Lautem.<\/p>\n

 <\/p>\n

Singrs : Pr\u00e9textat Tach, Gilles Wiernik – Nina, Marie-Paule Fayt – Furet, Jean F\u00fcrst – Coq, Aldo de Vernati – Sanglier et Singe, Thierry Marchant – Souris, Martje vande Ghinste -M\u00e9sange, C\u00e9cile Kempenaars –<\/p>\n

 <\/p>\n

<\/div>\n

 <\/p>\n

Nina: Marie-Paule Fayt and the journalist Sanglier: Thierry Marchant in the stage direction of Jacky Lautem<\/p>\n

 <\/p>\n

Musicians: Ensemble Karo with Emmanuel Suys: clarinet – Jan Kuijken: cello – Luc Gerard: electronic keyboards – Stefan Poelmans: harmonium – Wolfgang Daiss: tiptar – Pierre Narcisse: percussion, tabla . Electronics by Markus Reuter and Daniel Schell (computer programming). Scores by Bert Cornelis and Claudia Wester.<\/p>\n

 <\/p>\n

Choir : Ex Tempore-Goeyvaerts Consort avec Veerle Verhaege (Sop), Greta Joris (Alt), Vera Van de Sompele (Alt), Dimitry Goethals ( C.Ten) , Tom Denys (Ten) , Gert Dhaene (ten), Kobe Bayens (ten) , Rudy Tambuyser (bas), Bart Tambuyser (Bas), Joachim Brachse (bas) .
\nSet: Jos\u00e9 Froment – Costumes: Agn\u00e8s Dubois – Technical direction: Philippe Warrant- Make-up: Jean-Pierre Finotto
\nProduction: “L\u2019 L” , Bruxelles, Mich\u00e8le Braconnier<\/p>\n

 <\/p>\n

In 1996: Astrid Vehstedt reworked the stage direction. – Nina : Anne Horbach –
\nA CD (Clic Music) is available from this version.<\/p>\n

 <\/p>\n

<\/p>\n

 <\/p>\n

Nina: Anne Horbach – Pr\u00e9textat Tach: Gilles Wiernik in the stage direction of Astrid Vehstedt<\/p>\n

 <\/p>\n

Plan:<\/h2>\n

 <\/p>\n

 <\/p>\n\n\n\n\n\n\n
Scene 1:<\/td>\nObscurity<\/td>\nTach and the journalist Furet. In the Caf\u00e9 1: Souris, Furet, Coq and Sanglier, the Grand Choir<\/td>\n<\/tr>\n
Scene 2 :<\/td>\nThe dinner and the expurgation<\/td>\nTach (silent) , Coq (sung), Singe (spoken), l\u2019Infirmi\u00e8re(spoken). In the Caf\u00e9 2: Souris, Singe and Sanglier , the Grand Choir<\/td>\n<\/tr>\n
Scene 3<\/td>\nThe bath<\/td>\nTach (silent), Sanglier (sung) et l\u2019infirmi\u00e8re (silent). In theCaf\u00e9 3 : Furet, Coq and Sanglier, the Grand Choir<\/td>\n<\/tr>\n
Scene 4<\/td>\nThe strangulation<\/td>\nTach and the journalist Nina Nina, Souris, M\u00e9sange, Furet, Coq, Sanglier, and Tach. The Grand Choir<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Notes by Daniel Schell<\/p>\n

Press<\/strong><\/p>\n

Op\u00e9ra International April 2000<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Gilles Wiernik (Tach) and Nina in the ORW production (photo \u00a9 Opera Royal de Wallonie ORW Jacky Croisier) Opera   Music from Daniel Schell (\u00a9 Sabam 1995) Libretto from Daniel Schell (\u00a9 Sabam 1995) in collaboration with and based on the novel by Am\u00e9lie NOTHOMB \u201e Hygi\u00e8ne de l\u2019Assassin” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/36"}],"collection":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":18,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions\/379"}],"up":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/34"}],"wp:attachment":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/media?parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}