{"id":44,"date":"2017-04-30T23:28:54","date_gmt":"2017-04-30T21:28:54","guid":{"rendered":"http:\/\/clicmusikr.cluster017.ovh.net\/?page_id=44"},"modified":"2018-03-13T22:24:22","modified_gmt":"2018-03-13T21:24:22","slug":"le-sabotage-amoureux","status":"publish","type":"page","link":"https:\/\/www.danielschell.net\/index.php\/opera-music-theater\/amelie-nothomb\/le-sabotage-amoureux\/","title":{"rendered":"Le Sabotage Amoureux"},"content":{"rendered":"<p align=\"center\">Music: Daniel Schell &#8211;<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\">Libretto: Daniel Schell &#8211; Am\u00e9lie Nothomb \u00a9 Albin Michel 1993.<\/p>\n<p class=\"surtitre\" style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45\" src=\"http:\/\/www.danielschell.net\/wp-content\/uploads\/2017\/04\/Sabotage_cover-01-255x300.jpg\" alt=\"\" width=\"255\" height=\"300\" srcset=\"https:\/\/www.danielschell.net\/wp-content\/uploads\/2017\/04\/Sabotage_cover-01-255x300.jpg 255w, https:\/\/www.danielschell.net\/wp-content\/uploads\/2017\/04\/Sabotage_cover-01-170x200.jpg 170w, https:\/\/www.danielschell.net\/wp-content\/uploads\/2017\/04\/Sabotage_cover-01.jpg 457w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/><\/p>\n<p class=\"surtitre\">Description<\/p>\n<p>Opera- Musical theatre with choregraphy<\/p>\n<p><strong>In one word<\/strong><\/p>\n<p>The love story between two young girls in the communist Beijing of 1974, amongst the (children) &#8216;war&#8217; scenes and the \u201clove sabotages \u2013(bicycle races)&#8221;.<\/p>\n<p class=\"surtitre\">Action<\/p>\n<p>A\u00a0 woman, Am\u00e9lie, remembers her childhood. We are in 1974 in Beijing. The little girl lives with her parents in the diplomatic ghetto of San Li Tun. The children of the ghetto, belonging to various nationalities spend most of their time doing the &#8220;war&#8221;. In the middle of the summer and in this atmosphere of permanent hostility, appears suddenly an angel. Elena, a little Italian girl, is of great beauty. The life of Am\u00e9lie will change. She will discover love and the suffering of love at the same time. Because Elena hardly reacts to to the attempts of Am\u00e9lie who desperately tries to come to her attention. The Autumn comes and with it, the jealousy. Elena has a fianc\u00e9, Fabrice, to whom she carries a lot of attention. Am\u00e9lie is just ready to do anything to regain her love. So Elena orders that Am\u00e9lie does 88 rounds of the yard. Her health, plagued by chronic asthma, will not resist. Winter has come. Am\u00e9lie has decided to play the indifference. But as the Spring comes, her will will not resist. Am\u00e9lie declares her love to the little Italian&#8230;<\/p>\n<p><strong>Inhoud (Nl)<\/strong><\/p>\n<p>Een vrouw \u2013 Am\u00e9lie &#8211; denkt terug aan terug haar kindertijd. Wij bevinden ons in 1974, in Peking. Het kleine meisje woont samen met haar ouders in het diplomatische getto van San-Li-Tun. De kinderen van verschillende nationaliteiten die in dit getto wonen, brengen het grootste gedeelte van hun tijd door met oorlogje voeren. Plotseling duikt er, in deze permanente vijandige omgeving, een engel op in het midden van de zomer: Elena, een kleine, betoverend mooie Italiaanse. Het leven van Am\u00e9lie krijgt een totaal nieuwe wending. Zij ontdekt de liefde, alsook de pijn die de liefde met zich brengt. Elena reageert immers nauwelijks op de wanhopige pogingen van het kleine meisje om haar aandacht te trekken. De herfst breekt los, samen met de jalouzie, want Elena schenkt veel meer aandacht aan een zekere Fabrice dan an Am\u00e9lie, die tot alles bereid is voor Elena: Op verzoek van Elena, loopt Am\u00e9lie 88 keerrond de speelplaats, terwijl haar gezondheid eronder lijdt. Het is nu winter. Am\u00e9lie heeft beslist afstand te nemen van Elena. Maar, met de komst van de eerste lentezonnestralen, wordt haar wil gebroken. Het kleine meisje gaat eronder door en verklaart, zonder enig idee van de omvang ervan,haar liefde aan de kleine Italiaans.<\/p>\n<p>&nbsp;<\/p>\n<h2>Le Sabotage Amoureux : <a href=\"http:\/\/www.danielschell.net\/index.php\/opera-music-theater\/amelie-nothomb\/le-sabotage-amoureux\/sabotage-amoureux-libretto-video\/\">Libretto-Video (FR)<\/a><\/h2>\n<p>&nbsp;<\/p>\n<p class=\"surtitre\">Cast<\/p>\n<table>\n<tbody>\n<tr>\n<td>Am\u00e9lie-adulte:<\/td>\n<td>Patricia Fernandez (mezzo)<\/td>\n<\/tr>\n<tr>\n<td>Camarade Chang, G\u00e9n\u00e9ral Werner, Fabrice:<\/td>\n<td>Patrick Delcour (baryton)<\/td>\n<\/tr>\n<tr>\n<td>Am\u00e9lie-enfant- dancers (in alternance)<\/td>\n<td>Camille Delvaux, C\u00e9cile Ranzy, Coralie Matthys<\/td>\n<\/tr>\n<tr>\n<td>Elena &amp; dancers (in alternance)<\/td>\n<td>Caroline Scholsem, Fanny Kaesmacher, Clara Rensonnet<\/td>\n<\/tr>\n<tr>\n<td>Musicians rom the ORW Ensemble<\/td>\n<td>Violin: Ludwig Marszalek \/ Cello: Jorin Jorden \/ Double bass: Pierre Boigelot \/ Flute: Luciano Zampieri<\/td>\n<\/tr>\n<tr>\n<td>Percussion<\/td>\n<td>Didier Bormans<\/td>\n<\/tr>\n<tr>\n<td>Piano<\/td>\n<td>Jean-Claude Van Rode<\/td>\n<\/tr>\n<tr>\n<td>Trombone<\/td>\n<td>Rapha\u00ebl Robyns<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"surtitre\">Creation<\/p>\n<p>October, 5, \u00a0Li\u00e8ge, Belgium.<\/p>\n<p>Opera Royal de Wallonie, director: Jean-Louis Grinda. Stage and dramaturgy: Fr\u00e9d\u00e9ric Roels. Musical direction: Federico Santi. Choregraphy: Barry Collins. Stage sets and dresses: Val\u00e9rie Urbain. Lights: Olivier W\u00e9ry.<\/p>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/www.danielschell.net\/images\/opera\/Sabotage_Pre-02.jpg\" width=\"463\" height=\"348\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/www.danielschell.net\/images\/opera\/Sabotage_Pre-01.jpg\" width=\"472\" height=\"354\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/www.danielschell.net\/images\/opera\/Sabotage_Pre-03.jpg\" width=\"463\" height=\"347\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/www.danielschell.net\/images\/opera\/Sabotage_Pre-04.jpg\" width=\"459\" height=\"344\" \/><\/div>\n<p class=\"note\">(Photos ORW,\u00a0Jacky Croisier)<\/p>\n<p class=\"surtitre\">Press<\/p>\n<table border=\"0\" cellspacing=\"2\" cellpadding=\"2\">\n<tbody>\n<tr>\n<td valign=\"top\" bgcolor=\"#ffffff\">&#8230;Third and best opera of Daniel Schell and Am\u00e9lie Nothomb&#8230; This &#8220;Sabotage&#8221; is finally closer to the theatre than opera, it takes inspiration from a piquant novel.\u00a0 It profits from the luminous vision of F\u00e9d\u00e9ric Roels, the charm of the young dancers, the generosity of the interpreters: As many elements which explain why, during the second performance, the Theatre was full with a public of two generations younger than the opposite opera, and a particularly noisy success!<\/p>\n<p class=\"legend\">Martine D. Mergeay &#8211; La Libre Belgique<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>From the TV program &#8220;Millefeuille&#8221;, RTBF &#8211; 2012<\/p>\n<p>Gregory Decerf\u00a0 (vocal), Jean-Claude Van Rode (piano)<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/k2wGr8_daTE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music: Daniel Schell &#8211; &nbsp; Libretto: Daniel Schell &#8211; Am\u00e9lie Nothomb \u00a9 Albin Michel 1993. Description Opera- Musical theatre with choregraphy In one word The love story between two young girls in the communist Beijing of 1974, amongst the (children) &#8216;war&#8217; scenes and the \u201clove sabotages \u2013(bicycle races)&#8221;. Action A\u00a0 &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/44"}],"collection":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":8,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":393,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/44\/revisions\/393"}],"up":[{"embeddable":true,"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/pages\/34"}],"wp:attachment":[{"href":"https:\/\/www.danielschell.net\/index.php\/wp-json\/wp\/v2\/media?parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}